Anina Major (she/her) is a visual artist from the Bahamas. Her decision to establish a  home contrary to the location in which she was born and raised motivates her to investigate  the relationship between self and place as a site of negotiation. By utilizing the vernacular of  craft to reclaim experiences and relocate displaced objects, her practice exists at the intersection of nostalgia, and identity. She holds an MFA from Rhode Island School of Design and is the recipient of numerous awards and residencies, including the Armory Show 2024 Pommery Prize, the 2023 Joan Mitchell Fellowship, and the EKWC, Centre-of-excellence for ceramics international artist-in-residency. Major’s work has been exhibited in The Bahamas, Europe and across the United States, with a permanent display at the National Museum of African American History and Culture in Washington, DC. Her work is included in permanent collections of the National Gallery of The Bahamas, the Museum of Fine Arts, Boston, Los Angeles County Museum of Art, Carnegie Museum of Art, Rhode Island School of Design Museum and Perez Art Museum of Miami, among others. Her work has also been featured in the New York Times, Forbes magazine and published in Phaidon Press Great Women Sculptors.